{"id":17423,"date":"2022-08-10T15:17:02","date_gmt":"2022-08-10T14:17:02","guid":{"rendered":"http:\/\/www.horsdoeuvre.fr\/?p=17423"},"modified":"2025-07-29T12:35:45","modified_gmt":"2025-07-29T11:35:45","slug":"radio-hdo-44-thats-all-folks","status":"publish","type":"post","link":"https:\/\/www.horsdoeuvre.fr\/ru\/radio-hdo-44-thats-all-folks\/","title":{"rendered":"Radio HDO #44 : That&#8217;s all Folks!"},"content":{"rendered":"<p>Le songwriting anglo-saxon ne cesse de fleurir. S&#8217;entrouvrant avec gr\u00e2ce, il embaume litt\u00e9ralement lorsqu&#8217;il est compos\u00e9 et interpr\u00e9t\u00e9 par The Order Of The 12, Joan Shelley, Meskerem Mees, Abigail Lapell ou les Clementine (Benjamin &amp; Florence), pour ne citer qu&#8217;eux. Une playlist comme une douce r\u00eaverie, comme un songe d&#8217;une nuit d&#8217;\u00e9t\u00e9 dont on ne voudrait pas se r\u00e9veiller&#8230;<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Anglo-Saxon songwriting continues to flourish. Opening up with grace, it literally embalms when composed and performed by The Order Of The 12, Joan Shelley, Meskerem Mees, Abigail Lapell or the Clementine (Benjamin &amp; Florence), to name but a few. A playlist like a sweet reverie: a midsummer night&#8217;s dream that you wouldn&#8217;t want to wake up to&#8230;<\/p>\n<p><em>Photo : <a href=\"https:\/\/www.neilkrug.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Neil Krug<\/a><br \/>\n<a href=\"https:\/\/www.instagram.com\/neilkrug\/\" target=\"_blank\" rel=\"noopener noreferrer\">@neilkrug<\/a><\/em><\/p>\n<figure id=\"post-18568 media-18568\" class=\"align-center\">\n<div style=\"width: 370px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/music.youtube.com\/playlist?list=PLRhxLxsvyZytiDNY4ndkBt7ZVXAKA1q6H\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.horsdoeuvre.fr\/wp-content\/uploads\/radio-hdo-44.jpg\" alt=\"Playlist #44 I HdO\" width=\"360\" height=\"598\" \/><\/a><p class=\"wp-caption-text\">Playlist #44 I HdO<\/p><\/div><\/figure>\n<p><strong><u>Tracklist<\/u><\/strong><\/p>\n<ol>\n<li>Andrew Bird et Lucius &#8212; Venus In Furs<\/li>\n<li><a href=\"https:\/\/www.horsdoeuvre.fr\/marlon-williams-make-way-for-love-interview\/\">Marlon Williams<\/a> &#8212; Mr. Bojangles<\/li>\n<li>Florence Clementine &#8212; Easy Kind Of Man<\/li>\n<li>The Order Of The 12 &#8212; Money Can&#8217;t Buy<\/li>\n<li>Benjamin Clementine &#8212; Copening Weakend<\/li>\n<li>Joan Shelley &#8212; Forever Blues<\/li>\n<li>Emel &#8212; Everywhere We Looked Was Burning<\/li>\n<li>Meskerem Mees &#8212; Cod Liver Oil and Orange Juice<\/li>\n<li><a href=\"https:\/\/www.horsdoeuvre.fr\/michael-j-sheehy-distance-is-the-soul-of-beauty-alb\/\">Miraculous Mule<\/a> &#8212; John The Revelator<\/li>\n<li>Leyla McCalla &#8212; Memory Song<\/li>\n<li>Allison Russell &#8212; Nightflyer<\/li>\n<li>Aoife O&#8217;Donovan &#8212; B61<\/li>\n<li>Eve Adams &#8212; My Only Dream<\/li>\n<li>Deradoorian &#8212; Monk&#8217;s Robes<\/li>\n<li>Ian Felice &#8212; In the Kingdom of Dreams<\/li>\n<li>Abigail Lapell &#8212; Scarlet Fever<\/li>\n<li>Wes Swing &#8212; At the Window<\/li>\n<li><a href=\"https:\/\/www.horsdoeuvre.fr\/alela-diane-about-farewell\/\">Alela Diane<\/a> &#8212; When We Believed<\/li>\n<li><a href=\"https:\/\/www.horsdoeuvre.fr\/tim-bernardes-recomecar\/\">Tim Bernardes<\/a> &#8212; Meus 26<\/li>\n<li>Mariee Sioux &#8212; Black Snakes<\/li>\n<\/ol>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>Le songwriting anglo-saxon ne cesse de fleurir. S&#8217;entrouvrant avec gr\u00e2ce, il embaume litt\u00e9ralement lorsqu&#8217;il est compos\u00e9 et interpr\u00e9t\u00e9 par The<\/p>\n","protected":false},"author":16,"featured_media":17427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4361,9,71],"tags":[1730,1735,367,1685,235],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["fr","ru"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/17423"}],"collection":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/comments?post=17423"}],"version-history":[{"count":13,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/17423\/revisions"}],"predecessor-version":[{"id":17432,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/17423\/revisions\/17432"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/media\/17427"}],"wp:attachment":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/media?parent=17423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/categories?post=17423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/tags?post=17423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}