{"id":17372,"date":"2022-05-05T14:46:13","date_gmt":"2022-05-05T13:46:13","guid":{"rendered":"http:\/\/www.horsdoeuvre.fr\/?p=17372"},"modified":"2025-07-29T12:39:13","modified_gmt":"2025-07-29T11:39:13","slug":"radio-hdo-43-border-lines","status":"publish","type":"post","link":"https:\/\/www.horsdoeuvre.fr\/ru\/radio-hdo-43-border-lines\/","title":{"rendered":"Radio HDO #43 : Border Lines"},"content":{"rendered":"<p>\u00catre borderline, passer la fronti\u00e8re de l&#8217;intranquillit\u00e9, demander un visa pour s&#8217;exiler en zone libre, oublier la derni\u00e8re lettre de l&#8217;alphabet, et penser \u00e0 tous ceux qui continuent \u00e0 combattre, en musique&#8230; Une playlist qui n&#8217;aurait pu \u00eatre imagin\u00e9e qu&#8217;en 2022, avec des &#171;standards&#187; explosifs, des artistes ukrainiens (Onuka, Dakh Daughters, Alina Pash, Folkerny) et des nouveaut\u00e9s tr\u00e8s tr\u00e8s border: Melt Yourself Down, Warmduscher, Regina Spektor, Working Men&#8217;s Club, Horance Andy, Smokey Joe, Yard Act, Bambara, San Salvador et notre coup de coeur du moment, les Lalalar (Turquie).<\/p>\n<p><em>Photo : Fire Masks, Downshire Hill, London, England, 1941<\/em>\u00a0by Lee Miller \u00a9 Lee Miller Archives<\/p>\n<figure id=\"post-18571 media-18571\" class=\"align-center\">\n<div style=\"width: 370px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/music.youtube.com\/playlist?list=PLRhxLxsvyZyu17coJnCbw37_f0RxHfyhi\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.horsdoeuvre.fr\/wp-content\/uploads\/radio-hdo-43.jpg\" alt=\"Playlist #43 I HdO\" width=\"360\" height=\"595\" \/><\/a><p class=\"wp-caption-text\">Playlist #43 I HdO<\/p><\/div><\/figure>\n<p><strong><u>Tracklist<\/u><\/strong><\/p>\n<ol>\n<li>Rog\u00e9r Fakhr &#8212; Keep Going<\/li>\n<li>Lalalar &#8212; Yaln\u0131z \u00d6l\u00fc Bal\u0131klar Ak\u0131nt\u0131y\u0131 Takip Eder<\/li>\n<li>Melt Yourself Down &#8212; Nightsiren<\/li>\n<li>Beige Banquet &#8212; What Is Going On?<\/li>\n<li>Warmduscher &#8212; Eight Minute Machine<\/li>\n<li>ONUKA &#8212; UYAVY (avec DakhaBrakha)<\/li>\n<li>Al&#8217;Tarba &#8212; Bulletproof (Instrumentale)<\/li>\n<li>Archive &#8212; Fear There &amp; Everywhere<\/li>\n<li><a href=\"https:\/\/www.horsdoeuvre.fr\/tom-waits-bad-as-me-dernier-album\/\">Tom Waits<\/a> &#8212; Hell Broke Luce<\/li>\n<li>\u0421\u0442\u0430\u0441 \u041a\u043e\u0440\u043e\u043b\u044c\u043e\u0432 &#8212; RAGE<\/li>\n<li>Dakh Daughters &#8212; I Want<\/li>\n<li>Regina Spektor &#8212; Up the Mountain<\/li>\n<li>Andrew Bird &#8212; Atomized<\/li>\n<li>Saodaj&#8217; &#8212; Koman<\/li>\n<li>Working Men&#8217;s Club &#8212; Widow<\/li>\n<li>Apashe et Alina &#8212; Pash<\/li>\n<li>Folknery &#8212; Pomelo<\/li>\n<li>Yard Act &#8212; Dark Days<\/li>\n<li>VoX LoW &#8212; Now We&#8217;re Ready to Spend<\/li>\n<li>Placebo &#8212; Surrounded By Spies<\/li>\n<li>Bambara &#8212; Point and Shoot<\/li>\n<li>Lalalar &#8212; Abla Deme Lazim Olur<\/li>\n<li>San Salvador &#8212; La Fin de la Guerra<\/li>\n<li>Horace Andy &#8212; Safe From Harm<\/li>\n<li>Smokey Joe &amp; The Kid &#8212; War is over<\/li>\n<\/ol>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>\u00catre borderline, passer la fronti\u00e8re de l&#8217;intranquillit\u00e9, demander un visa pour s&#8217;exiler en zone libre, oublier la derni\u00e8re lettre de<\/p>\n","protected":false},"author":16,"featured_media":17374,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4361,9,71],"tags":[1730,91,1735,367,1241,1685,1796,4205],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["fr","ru"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/17372"}],"collection":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/comments?post=17372"}],"version-history":[{"count":11,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/17372\/revisions"}],"predecessor-version":[{"id":19503,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/17372\/revisions\/19503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/media\/17374"}],"wp:attachment":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/media?parent=17372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/categories?post=17372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/tags?post=17372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}