{"id":16455,"date":"2020-12-15T15:01:05","date_gmt":"2020-12-15T14:01:05","guid":{"rendered":"http:\/\/www.horsdoeuvre.fr\/?p=16455"},"modified":"2024-12-11T14:42:59","modified_gmt":"2024-12-11T13:42:59","slug":"playlist-black-american-different","status":"publish","type":"post","link":"https:\/\/www.horsdoeuvre.fr\/ru\/playlist-black-american-different\/","title":{"rendered":"RADIO HDO #38 : Black, American &#038; Different"},"content":{"rendered":"<p>Blues, jazz, rock, ska, punk&#8230; : les genres investis avec talent par les artistes noirs am\u00e9ricains sont innombrables. Directement militant ou pas, certains d&#8217;entre eux ont surtout affirm\u00e9 leur identit\u00e9 par leur diff\u00e9rence, leur prise de risque artistique et leur go\u00fbt du m\u00e9tissage. Pour que cr\u00e9ativit\u00e9 et libert\u00e9 marchent main dans la main, le poing lev\u00e9.<\/p>\n<p>___________________<\/p>\n<p>Blues, jazz, rock, ska, punk &#8230; Black american musicians have played, and sometimes created, almost all musical genres. Politically involved or not, most of them have, beyond all, expressed their identity and differences in taking artistic risks. For creativity and freedom are sisters, deprived of colors, who, united, stand together.<\/p>\n<figure id=\"post-18588 media-18588\" class=\"align-center\">\n<div style=\"width: 370px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/music.youtube.com\/playlist?list=PLRhxLxsvyZyuJkLG6uFtypag3rC9bsv2u\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.horsdoeuvre.fr\/wp-content\/uploads\/radio-hdo-38-1.jpg\" alt=\"Playlist #38 I HdO\" width=\"360\" height=\"598\" \/><\/a><p class=\"wp-caption-text\">Playlist #38 I HdO<\/p><\/div><\/figure>\n<p><strong><u>Tracklist<\/u><\/strong><\/p>\n<p>1 &#8212; Gil Scott-Heron &#8212; Introduction \/ The Revolution Will Not Be Televised<\/p>\n<p>2 &#8212; Donald Byrd &#8212; Cristo Redentor<\/p>\n<p>3 &#8212; Love &#8212; The Red Telephone<\/p>\n<p>4 &#8212; Arthur Lee &#8212; Stay Away<\/p>\n<p>5 &#8212; J.B. Lenoir &#8212; Down in Mississippi<\/p>\n<p>6 &#8212; Bad Brains &#8212; Unity Dub<\/p>\n<p>7 &#8212; Jerry Jones &#8212; Trying Times<\/p>\n<p>8 &#8212; ESG &#8212; Dance<\/p>\n<p>9 &#8212; Black Joe Lewis &amp; The Honeybears &#8212; She&#8217;s So Scandalous<\/p>\n<p>10 &#8212; The Dirtbombs &#8212; Chains of Love<\/p>\n<p>11 &#8212; Betty Davis &#8212; If I&#8217;m In Luck I Might Get Picked Up<\/p>\n<p>12 &#8212; Max Roach &#8212; All Africa<\/p>\n<p>13 &#8212; The Last Poets &#8212; Niggers Are Scared Of Revolution<\/p>\n<p>14 &#8212; Terry Callier &#8212; Love Theme From Spartacus<\/p>\n<p>15 &#8212; Donny Hathaway &#8212; The Ghetto<\/p>\n<p>16 &#8212; Art Ensemble of Chicago &#8212; Th\u00e8me de Yoyo<\/p>\n<p>17 &#8212; The Como Mamas &#8212; &#171;Out of the Wilderness&#187;<\/p>\n<p>18 &#8212; Richie Havens &#8212; Freedom<\/p>\n<p>19 &#8212; Oscar Brown, Jr. &#8212; Brother Where Are You?<\/p>\n<p>20 &#8212; Billie Holiday &#8212; Strange fruit<\/p>\n<p>21 &#8212; Bessie Smith &#8212; On Revival Day<\/p>\n<p>22 &#8212; Tracy Chapman &#8212; Nothing Yet<\/p>\n<p>23 &#8212; Sammy Davis Jr. &#8212; Mr. Bojangles<\/p>\n<p>24 &#8212; Little Richard &#8212; Lonesome and Blue<\/p>\n<p>25 &#8212; Otis Redding &#8212; [I Can&#8217;t Get No] Satisfaction<\/p>\n<p>26 -Chuck Berry &#8212; Johnny B. Goode<\/p>\n<p>27 &#8212; Screamin&#8217; Jay Hawkins &#8212; I Put a Spell On You<\/p>\n<p>28 &#8212; Wu-Tang Clan &#8212; Shame On a Nigga<\/p>\n<p>29 &#8212; Grandmaster Flash and The Furious Five &#8212; The Message<\/p>\n<p>30 &#8212; Raw Poetic &#8212; The Changing Moment<\/p>\n<div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div>","protected":false},"excerpt":{"rendered":"<p>Blues, jazz, rock, ska, punk&#8230; : les genres investis avec talent par les artistes noirs am\u00e9ricains sont innombrables. Directement militant<\/p>\n","protected":false},"author":12,"featured_media":16459,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4361,9,71],"tags":[49,1730,91,1735,367,490,1406,1685,3825,4081,4082],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["fr","ru"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/16455"}],"collection":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/comments?post=16455"}],"version-history":[{"count":11,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/16455\/revisions"}],"predecessor-version":[{"id":16780,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/posts\/16455\/revisions\/16780"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/media\/16459"}],"wp:attachment":[{"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/media?parent=16455"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/categories?post=16455"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.horsdoeuvre.fr\/ru\/wp-json\/wp\/v2\/tags?post=16455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}